In 1846, Browning married Elizabeth Barrett, a famous poetess whose famous book of love poetry was Sonnets from the Portuguese. In 1869 Browing's masterpiece, The Ring & the Book, came out. In 1889, Browning died & was buried in the Poet's Corner, Westminster Abbey, beside Tennyson.
2.识记His major works
Dramatic Lyrics (1842), Dramatic Romances & Lyrics (1845), Bells & Pomegranates (1846), Men & Women (1855), Dramatic Personae (1864), The Ring & the Book (1868-1869) & Dramatic Idylls (1880)

3.领会Characteristic of The Ring & the Book: Dramatic M　onologue
In this poem, Browning chooses a dramatic moment or a crisis, in which his characters are made to talk about their lives, & about their minds & hearts. In "listening" to those one-sided talks, readers can form their own opinions & judgments about the speaker's personality & about what has really happened.

4.领会Robert Browning's artistic characteristics
(1) The name of Browning is often associated with the term "dramatic monologue." Although it is not his invention, it is in his hands that this poetic form reaches its maturity& perfection.
(2) Browning's poetry is not easy to read. His rhythms are often too fast, too rough & unmusical
(3) The syntax is usually clipped & highly compressed. The similes & illustrations appear too profusely. The allusions & implications are sometimes odd & far-fetched. All this makes up his obscurity.
On the whole, Browning's style is very different from that of any other Victorian poets. He is like a weather-beaten pioneer, bravely & vigorously trying to beat a track through the jungle. His poetic style belongs to the 20th-century rather than to the Victorian age.

5. 应用 Selected Readings:
1) My Last Duchess (1)
"My Last Duchess" is Browning's best-known dramatic monologue. The poem takes its sources from the life of Alfonso II, duke of Ferrara of the 16th-century Italy, whose young wife died suspiciously after three years of marriage. Not long after her death, the duke managed to arrange a marriage with the niece of another noble man. This dramatic monologue is the duke's speech addressed to the agent who comes to negotiate the marriage. In his talk about his "last duchess," the duke reveals himself as a self-conceited, cruel & tyrannical man. The poem is written in heroic couplets, but with no regular metrical system. In reading, it sounds like blank verse.
2) Meeting at Night (1)
Meeting at Night, together with Parting at Morning, appeared originally under the single title Night & Morning. Browning made them separate poems in a late edition of his work. The speaker in both is a man. In this poem, the man, a lover, describes the whereabouts of their meeting place. The journey to love is dominated by moon, shadows, softness, & sexual imagery.
3) Parting at Morning (1)
Here in the description of sunrise, the poet unconsciously expresses his helplessness in having to face up his duty as a man. The journey back is from the nighttime woman's world of love to the daytime world of reality.

V. George Eliot
1. 一般识记 Her life & Literary Career
George Eliot (1819-1880), pseudonym of Mary Ann Evans, was born on Nov. 22, 1819 into an estate agent's family in Warwickshire, England. Though brought up under strict religious influences, she early abandoned religious beliefs, adopted agnostic opinions about Christian doctrine, & showed a great interest in social & philosophical problems.
At the age of 39, she started he literary career. Being a woman of intelligence & versatility, she quickly found herself ranking high among the great writers. In 1857, she wrote her first three stories which were later published in book form under the title of Scenes of Clerical Life. Then there came successively her three most popular novels, Adam Bede (1859), The Mill on the Floss (1860) & Silas Marner (1861), all drawn from her lifelong knowledge of English country life & notable for their realistic details, pungent characterization & high moral tone. In 1863, she published Romola, a full elaborately documented story of Florence in the time of Savornarola. Then followed Felix Holt, the Radical, her only novel on English politics. In 1872, Middlemarch, a panoramic book considered today by many to be George Eliot's greatest achievement, come out. In 1876, she published her last novel, Daniel Deronda. These novels, together with a number of poems & a collection of satirical essays, The Impressions of Theophrastus Such, constitute a formidable body of work from a woman frail in health & working constantly under the apprehension of failure or worthlessness.
2. 识记Her Literary Achievements
Writing at the latter half of the 19th century & closely following the critical realist writers, George Eliot was working at something new. By joining the worlds of inward propensity & outward circumstances & showing them in the lives of her characters, she starts a new type of realism & sets into motion a variety of developments, leading in the direction of both the naturalistic & psychological novel. In her works, she seeks to present the inner struggle of a person & to reveal the motives, impulses & hereditary influences which govern human action. She is interested in the development of a soul, the slow growth or decline of moral power of the character. Eliot holds the belief that a certain act in daily life will produce a definite moral effect on the individual. Most of her novels are characterized by two features: moral teaching & psychological realism.

3. 领会 The theme of her works
As a woman of exceptional intelligence & life experience, George Eliot shows a particular concern for the destiny of women, especially those with great intelligence, potential & social aspirations. In her mind, the pathetic tragedy of women lies in their very birth. Their inferior education & limited social life determine that they must depend on men for sustenance & realization of their goals, & they have only to fulfill the domestic duties expected of them by the society. Their opportunities of success are not even increased by wealth.

4. 应用 Selected Reading:
An Excerpt from Chapter XXVIII of Middlemarch
Middlemarch, a study of provincial life, has been known as one of the most mature works in English literary history. The book provides a panoramic view of life in a small English town, Middlemarch, &its surrounding countryside in the mid-nineteenth century. It is mainly centered on the lives of Dorotea Brooke & Tertius Lydgate, both of whom are shown have great potentials & ambitions, but both fail in achieving their goals owing to the social environment as well as their own vulnerabilities.
The excerpt below begins from Drothea & Casoubon's return from their honeymoon in Rome, where Mr. Casaubon buries himself in the library, ignoring the bride & leaving her very much alone. This is but the first taste of bitterness & disappointment for the youthful & hopeful Dorothea. Now back at home, she finds herself shut up in the cold, lifeless Lowick Manor & begins to see the impossibility of hope.

VI. Thomas Hardy
1. 一般识记 His Life & Literary Career
Thomas Hardy (1840-1928) was born near Dorchester, the area that later became the famous "Wessex" in many of his novels. He first worked for a famous architect. Then in 1871, his first novel Desperate Remedies was published & well received. However, the real success came with Under the Greenwood Tree (1872). In 1874, he published Far from the Madding Crowd. In the following twenty-three years he produced over ten local colored novels until 1896 when he was tired if all those hostile criticisms against his last two novels, Tess of the D'Urbervilles (1891) & Jude the Obscure (1896). From then on, he began to write poetry again. Of the eight volumes by Hardy-918 poems in all-the most famous is The Dynasts, a long epic-drama about the Napoleonic Wars. He died on January 11. 1928 & was buried in the Poet's Corner in Westminster Abbey.

2. 识记Features of His Writings
1) Past & Modern
Living at the turn of the century, Hardy is often regarded as a transitional writer. In him we see the influence from both the past &the modern. As some people put it, he is intellectually advanced& emotionally traditional. In his Wessex novels, there is an apparent nostalgic touch in his description of the simple & beautiful though primitive rural life, which was gradually declining & disappearing as England marched into an industrial country. And with these traditional characters he is always sympathetic. On the other hand, the immense impact of scientific discoveries & modern philosophic thoughts upon the man is quite obvious, too.
2) Determinism
In his works, man is shown inevitably bound by his own inherent nature & hereditary traits which prompt him to go & search for some specific happiness or success & set him in conflict with the environment. The outside nature-the natural environment or Nature herself-is shown as some mysterious supernatural force, very powerful but half-blind, impulsive & uncaring to the individual's will, hope, passion or suffering. It likes to play practical jokes upon human beings by producing a series of mistimed actions & unfortunate coincidences. Man proves impotent before Fate, however he tries, & he seldom-escapes his ordained destiny.
3) Critical realism
Though Naturalism seems to have an important part in Hardy's works, there is also bitter & sharp criticism & even open challenge of the irrational, hypocritical unfair Victorian institutions, conventions & morals which strangle the individual will & destroy natural human emotions & relationships. The conflicts between the traditional & the modern, between the old rural value of respectability & honesty & the new utilitarian commercialism, between the old, false social moral & the natural human passion, etc. are all closely set in a realistic background true to the very time & the very place.

3. 领会His Major Works
Hardy himself divided his novels into three groups:
1) Romances & Fantasies
A Pair of Blue Eyes (1873); The Trumpet Major (1880)etc.
2) Novels of Ingenuity
Desperate Remedies (1871); The Hand of Ethelberta(1876)etc
3) Novels of Character & Environment
Under the Greenwood Tree (1872); Far Form the Madding Crowd (1874); The Return of the Native (1878); The Mayor of Casterbridge (1886); Tess of the D'Urbervilles (1891); Jude the Obscure (1895)

4. 应用Selected Reading:
An Excerpt from Chapter XIX of Tess of the D'Urbervilles
This novel is one of the best & most popular work by Hardy. It is a fierce attack on the hypocritical morality of the bourgeois society & the capitalist invasion into the country & destruction of the English peasantry towards the end of the century. Tess, as a pure woman brought up with the traditional idea of womanly virtues, is abused & destroyed by both Alec & Angel, agents of the destructive force of the society. And the misery, the poverty & the heartfelt pain she suffers & her final tragedy give rise to a most bitter cry of protest & denunciation of the society. Of course, naturalistic tendency is also strong in the novel. In a way, Tess seems to be led to her final destruction step by step by Fate. Coincidence adds on "wrong" to another until she is caught up in a dead-end. As Hardy says at the end of the novel: "Justice was done, & the President of the Immortals had ended his sport with Tess."
The excerpt here is taken from Chapter XIX, phase 3, The Rally. Now some time after she leaves her home to work as a dairymaid at Talbothays Dairy, Tess gradually rides off her recent misfortune & unconsciously gives herself up to attraction of Angel Clare.


Chapter ５　The Modern Period
Ⅰ学习目的和要求
通过本章的学习，了解20世纪批判现实主义文学和现代主义文学产生的历史、文化背景。认识该时期文学创作的基本特征、基本主张，及其对现当代英国文学乃至文化的影响；了解该时期重要作家的文学创作思想、艺术特色及其代表作品的主题结构、人物刻画、语言风格、思想意义等；同时结合注释，读懂所选作品，了解其思想内容和写作特色，培养理解和欣赏文学作品的能力。

Ⅱ本章重点及难点

1． 英国现代文学的特征
2． 主要作家的创作思想、艺术特色及其代表作品的主题结构、人物刻画和语言风格
3． 名词解释：现代主义
4． 应用：选读作品的主题结构、艺术特色、人物刻画和语言风格，如
（1）叶芝和艾略特诗歌（所选作品）的主题、意象分析
（2）小说《儿子与情人》的主题和主要人物的性格分析
（3）意识流小说的主要特色分析
（4）萧伯纳戏剧的特点与社会意义分析

Ⅲ.考核知识点和考核要求
（一）现代时期概述
1．识记：
A. 20世纪英国社会的政治、经济、文化背景
B．英国20世纪批判现实主义文学
C．现代主义文学的兴起与衰落
2．领会：
A. 现代主义文学创作的基本主张
B．英国现代主义文学思潮
（1）诗歌
（2）小说
（3）戏剧
3．应用：
A．名词解释：现代主义
B．英国现代主义文学的特点
C．现代主义文学对当代文学的影响

（二）现代时期的主要作家

A.萧伯纳
1．一般：萧伯纳的生平与文学生涯。
2．识记：
A．萧伯纳的政治改革思想和文学创作主张
B．萧伯纳的戏剧创作
（1）早期主要作品：《鳏夫的房产》、《华伦夫人的职业》、《康蒂坦》、《凯撒和克莉奥佩特拉》
（2）中期作品：《人与超人》、《巴巴拉少校》、《皮格马利翁》
（3）晚期作品：《伤心之家》、《回到麦修色拉》、《圣女贞德》、《苹果车》
3．领会：
A．萧伯纳戏剧的特点与社会意义
B．萧伯纳的戏剧对20世纪英国文学的影响
4．应用：
A．《华伦夫人的职业》的故事梗概、情节结构、人物塑造、语言风格、思想意义
B．选读：所选作品的主要内容、人物塑造、语言特点、艺术手法等

B．约翰•高尔斯华绥
1．一般识记：高尔斯华绥的生平与文学生涯
2．识记：　　高尔斯华绥的文学创作
（1）戏剧：《银盒》、《正义》、《斗争》
（2）小说：《福赛特世家》（《有产业的人》、《骑虎》、《出租》）、《现代喜剧》
3．领会：
A．高尔斯华绥的创作思想
B．高尔斯华绥批判现实主义小说的主要特点及社会意义
4．应用：
选读：所选作品的主要内容、人物性格。语言特点、叙述手法等

C、威廉•勃特勒•叶芝
1．一般：叶芝的生平及文学生涯
2．识记：叶芝诗歌的代表作品
（1）早期诗歌：《茵尼斯弗利岛》、《梦见仙境的人》、《玫瑰》
（2）中期诗歌：《新的纪元》、《1916年的复活节》
（3）晚期诗歌：《驶向拜占廷》、《丽达及天鹅》、《在学童们中间》
3．领会：
A．叶芝的诗歌创作思想
B．叶芝诗歌的特点及思想意义
C．叶芝诗歌的艺术成就
D．叶芝的诗歌对当代英国文学的影响
E．叶芝的戏剧创作
4．应用：选读：、所选作品的主题思想、语言风格、艺术特色等

D、T．S．艾略特
1．一般识记：艾略特的生平及创作生涯
2．识记：　　艾略特的主要诗歌作品
（1）《普鲁弗洛克的情歌》
（2）《荒原》
（3）《灰星期三》
（4）《四个四重奏》
3．领会：
A．艾略特的文学理论与文艺批评观
B．艾略特诗歌的艺术特色及社会意义
C．艾略特的戏剧
D. 文略特的艺术成就
E．艾略特的文学创作及文艺批评思想对现当代英国文学的影响
4．应用：
A．《荒原》主题、结构、神话、象征、语言特色及社会意义
B．选读：所选作品的主题结构、思想内容、语言特点、艺术手法等

E．戴维•赫伯特•劳伦斯
1．一般识记：劳伦斯的生平及文学生涯
2．识记：　　劳伦斯的主要小说
（1）《儿子与情人》
（2）《虹》
（3）《恋爱中的女人》
3．领会：
A． 劳伦斯的创作思想
B． 劳伦斯小说的主要艺术特色及社会意义 ．
C． 劳伦斯的小说对现当代英国文学的影响
4．应用：
A．《儿子与情人》的故事梗概、情节结构、人物塑造、语言风格、思想意义
B．选读：所选作品的主要内容、人物性格、语言特点、艺术手法等

F．詹姆斯•乔伊斯
1．一般识记：乔伊斯的生平与创作生涯
2．识记：乔伊斯的主要作品简介
（1）《都柏林人》
（2）《青年艺术家的肖像》
（3）《尤利西斯》
3．领会：
A． 乔伊斯的文学创作主张与美学思想
B． 乔伊斯小说的主要艺术特色及思想意义
C．乔伊斯的艺术成就
D．乔伊斯的作品对现当代世界文学的影响
4．应用：
A． 意识流小说的主要特色分析
B． 选读：所选作品的主题思想、人物塑造、语言特色、艺术手法等

Chapter 5 The Modern Period
一．识记：
1. The social, ideological background of the modern English literature:
(1) The influences of the two World Wars on English literature:
Modernism rose out of skepticism and disillusion of capitalism. The First World War and the Second World War had greatly influenced the English literature. The catastrophic First World War tremendously weakened the British Empire and brought about great sufferings to its people as well. Its appalling shock severely destroyed people's faith in the Victorian values; The postwar economic dislocation and spiritual disillusion produced a profound impact upon the British people, who came to see the prevalent wretchedness in capitalism.
The Second World War marked the last stage of the disintegration of the British Empire. Britain suffered heavy losses in the war: thousands of people were killed; the economy was ruined; and almost all its former colonies were lost. People were in economic, cultural, and belief crisises.
(2) Ideologically, the rise of the irrational philosophy and new science greatly incited modern writers to make new explorations on human natures and human relationships. (a) In the mid-19th century, Karl Marx and Friedrich Engels put forward the theory of scientific socialism, which not only provided a guiding principle for the working people, but also inspired them to make dauntless fights for their own emancipation. (b) Darwin's theory of evolution exerted a strong influence upon the people, causing many to lose their religious faith. The social Darwinism, under the cover of "survival of the fittest," vehemently advocated colonialism or jingoism. (c) Einstein's theory of relativity provided entirely new ideas for the concepts of time and space. (d) Freud's analytical psychology drastically altered our conception of human nature. (e) Arthur Schopenhauer, a pessimistic philosopher started a rebellion against rationalism, stressing the importance of will and intuition. (f) Having inherited the basic principles from Schopenhauer, Friedrich Nietzsche went further against rationalism by advocating the doctrines of power and superman and by completely rejecting the Christian morality. (g) Based on the major ideas of his predecessors, Henry Bergson established his irrational philosophy which put the emphasis on creation, intuition, irrationality and unconsciousness. All these irrationalist philosophers exerted immense influence upon the major modernist writers in Britain.
So, after the First World War, all kinds of literary trends of modernism appeared: symbolism, expressionism, surrealism, cubism, futurism, Dadaism, imagism and stream of consciousness. Towards the 1920s, these trends converged into a mighty torrent of modernist movement, which swept across the whole Europe and America. After the Second World War, a variety of modernism, or post-modernism, like existentialist literature, theater of the absurd, new novels and black humor, rose with the spur of the existentialist idea that "the world was absurd, and the human life was an agony."